I signed up with them for the first record deal I ever signed 10 years ago. I was a little teenage boy, not knowing much about the rules and contracts and record labels. I was obsessed with this genre called drum 'n' bass, and Hospital was my dream label.
It was the start of this beautiful relationship. I look back at it with so much love, so many good memories. I tried to explore some other music styles. I was really interested in pop music. I moved to L. These two producers called Stargate really took me under their wings, treated me like a brother, and gave me their studio basically for free for so long.
I learned so much from that experience. I worked on the David Guetta album a lot and had all these amazing opportunities. I really had the best time, and it left a massive impression on me. I decided to do a couple more underground DJ sets. At Tomorrowland, there's a stage called the rave cave, which is basically a to capacity room.
It was really cool. He was my main guy at the label when I was a little Justin Bieber-haircut teenager. We had an amazing dinner and talked hours. We got very drunk in the end. I told him I'd love to do a project. After that, we ended up at Charlotte de Witte's, who is a really good friend of mine. She played a massive techno show at The Gashouder. The whole night was so crazy. Yeah, percent.
I mean, there's so many reasons. I sometimes read the comments that my lovely, very passionate old-school fans write. They're not always so lovely. I use the term a little bit sarcastically, but they are very passionate, especially in drum 'n' bass.
I'm not in this mindset. A s a creative, if you do the same thing over and over, it i sn't the best use of your muscles. W hen you did go back to drum 'n' bass, d id all those collaborations and experimentations influence or change your workflow? Seeing somebody like David Guetta, who isn't the most technical producer but is an amazing people person, really taught me how important it is to have a relationship with somebody you're going to write a song with.
You have to make them feel at home and give them the trust they need to open their hearts and talk about something that's very personal. That's something I never knew just being in dance. Seeing Guetta work with three different session writers a day or with massive pop stars who might have something happening that day -- you don't know how crazy the personal life of our favorite pop stars can be.
He treats it as a people's business rather than anything too technical. That was really inspiring to me, and I'm trying to do that more myself. No, haha. I don't know the title yet, otherwise I would tell you. There's a lot of familiar flavors on it for older fans.
It's mostly drum 'n' bass, definitely more underground U. There's a couple of songs with rock influences.
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